About two years
ago, when a busy downtown mall in Nairobi, which houses small stalls known as
“exhibitions” in the city’s lingo suffered a massive blast, a curious thing
happened.
True, the emergency
services, mostly the Red Cross, paramedics and the police, responded, as they
are wont to, and were among the first people on the scene. There was also a
fair sprinkling of journalists and photojournalists at the scene. But there was
also another group that stuck out like a sore thumb: that of ordinary citizens,
capturing the incident on their smartphones either in the form of videos or
photos.
It was this army of
citizen journalists who intuitively posted the first images from the incident
on social media sites like Facebook, Twitter and youtube and not your
traditional, newsroom-based journalist. They literally “broke” the story. But
the army of cyber-reporters who descended on Nairobi’s Moi Avenue on that
fateful morning has platoons all over the world. Of the billions of photos
taken per day by smartphone owners today, about 1.8 billion end up being shared
on social networks, up from 500 million in 2013.
Veteran
Nairobi-based Ugandan journalist Charles Onyango-Obbo, would later remark. “I
watched them. They were eating my lunch. And there was absolutely nothing I
could do about it.”
With the ascendancy
of smartphones in Kenya and as the gadgets become more affordable, a strong
culture of citizen journalism is taking root in the country. In this realm,
everyone is a journalist and a photo-journalist. No newspaper, TV or radio
station today can claim that it breaks stories all the time. That is being
effectively done by social media and its growing army of citizen journalists and
bloggers. Traditional media outlets have had to be more content with the rather
sedate and intellectually high-brow task of analysis and commentary, what is
known in the trade as Day Two Journalism.
True, the advent of
smartphone-based cameras has kind of “democratized” photography. Just like the traditional journalists and
photojournalists, even this breed of practitioners requires the best tools of the
trade, and that includes the best cameras. This is where LG smartphones come
in, especially the G4, because they are not only user-friendly, but are
engineered to ensure that even lay users get the best, professional quality
results. It doesn’t matter whether they are taking a “selfie” or capturing a
bomb blast, literally chronicling the first chapters of history.
Boasting a remarkable 16mp camera, G4 makes
full use of its detailed display and instinctive operation to help users take
professional-quality photographs. Expertly tailored to meet the needs of modern
consumers, the user-friendly G4 is the perfect phone for today’s mobile
photographers.
For the longest time, mobile cameras have
lagged far behind more advanced digital single-lens reflex cameras (DSLRs) in
their ability to capture photographs when there is little natural light. The
G4’s camera lens boasts an aperture value of F1.8, making it the brightest
smartphone lens on the market and capable of going toe-to-toe with lens used by
professionals.
Apart from F/1.8 aperture lens, there are a
number of other features that help to set the G4 apart from competition. For
instance, in manual mode, the photographer can customize the level of white
balance, ISO, shutter speed, manual focus and exposure compensation. When
placed in the hands of an expert, these features allow the G4 to shoot capture
striking images. Manual mode also gives photographers the ability to select RAW
or JPEG as the format for their files.
Those features
among others make it a joy to use, even for the non-professional mobile photographer,
who just wants to capture moments of life for their own use or seeks to share
the same with friends and family or even a wider audience. These include the
brightest smartphone lens on the market that is at par with what top notch
professionals use; a manual mode that gives the user a lot of control; an
advanced color spectrum sensor to ensure no color is lost on “translation” and
an advanced front-facing camera that efficiently feeds the growing “selfie”
sub-culture.